Happy news for a Monday, I have finished three new designs just in time for Christmas in July, back to school or just the mid year change things up moment. The first one is the one to the left, which I lovingly call 'cloud tray'. I worked on the design for quite some time as I wanted it to have a softly textured surface and a minimal dip as well as the cloud uniqueness while staying cohesive within the design. They feel very hygge, minimal, artsy while being trinket or ring dishes you could also easily hang them as modern wall art.
The other two designs are more down to business. I just felt, between concrete paperweight and push pins as well as pocket notebooks made from recycled paper, the business card holder is simply missing. Well, I could not have that, so here we go!
The skyline of London is ever-changing and new buildings will be constructed in the years ahead. Heidi was so kind to prepare some updates to the original post back from 2015. Back then it was just lovely to have the background to the first round of London images I took. Now I feel it is just good to update this post as it is a balance of ancient and modern architecture as well as the creation of new areas, often better suitable and sustainable uses of the land. Of course even more details are over on Heidi's new blog but for a quick overview have a look at the comparison with images and graphics below ...
Based on the meteorological calendar Spring is here and I feel a bit of Spring cleaning with minimalism in mind could just be the thing. I personally can't decide between Spring and Autumn, I love them both, the life in the changes, the colours and light at those times. Anyway, I think it is the change which is giving me energy and inspiration to move and change as well. It is not that I think I own clutter or would ever have a problem with throwing stuff out, nope not me, I always feel refreshed after a good old clean and clear. Maybe, I am still too German, haha.
Recently however, I feel the urge to slow down and to be a bit more consequent, by which I mean, not just have a bit of a clear out of unused things two times a year but change things so that this would not be needed anymore. So how to start this, how to change things.
I found loads of guides some 30 or 50 steps long, even a minimalism challenge was among them. Has anyone done one of those? Well, it is all too much for me, one could say not very minimal, pun intended. So I decided, I will choose 5 things I find useful and easy to incorporate into my routines.
Yep, it is September. Can you believe it? And yes, it is almost time to prep for the big gifting season. I know early right?!, but I want us to start a new tradition this year or maybe you are a superstar and you continue a long lasting tradition of shopping and gifting designer-maker / artisan / indie made works. I would like to introduce some fellow designer-makers of mine, who are not just amazing in their own right but all of us a based in Europe, many in the UK, and even in London, like myself. However, quality handmade works which you can often personalise take time to make and that's why we aspire to inspire early this year!
I know what you are waiting for, the freebie or voucher code. Don't be disappointed, I don't have a collection of those for you. It simply does not feel right and here is why. We designer-makers and artist love and live our work, everything each one of us creates is heartfelt, envisioned, crafted with care and each piece is unique in one way or another. Every time we ship something to you we ship a piece of our soul and hope that you will cherish it the same way we cherished every second making it. So all I am having is stories and the hope you will enjoy them, maybe even get inspired by them, feel the urge to shop happiness!
It is about time, I know time goes by way too fast but at long last I put together my first proper concrete diy instructions for you guys!
Since you love Air Plants as much as I do, I thought it would be good to start with a concrete diy which combines the love for concrete, copper and Air Plants which can be decorated all year around. Not to worry I got more diy's coming up for the holiday season, yeah, already excited to share those with you soon too!
As the picture suggests, I have prepared instructions for you to not just create one style but three. So you will be able to create totally different styles for your table scape or indoor-garden, keeping individuality at its best!
We will use recycled moulds, my new geometric plastic reusable mould and something from the kitchen, cling film to create a unique 'tree bark' texture in any mould you fancy!
To start things, check the material list below. Once you have gathered all your materials you will need to calculate about 1 to 2 hours for the wire bending, mixing and pouring. After about 3 hours spare time it will be about half an hour for unwrapping and sanding.
One month has gone by like no other. While working on all sorts of projects I mostly forgot to post and share and set out to challenge myself to do exactly that, but feel invited to read all about it here.
I don't know why but sharing everything online is still hard for me, while talking comes easy to me I am always a bit taken back by the thought of shouting my humble life and work into the world.
I have heard about 'hygge' a while back and thought well, fair enough I like to cosy up, get the kettle on and the cosy blanket out. Done, right?!
Well, I went to Copenhagen during spring this year and of course what was the most interesting thing to bring back 'The little book of hygge' by Meik Wiking. I read it and found loads of habits and ideas on how we should make us all feel better. All nice and jolly. Thing is though, recently I came across more and more posts and articles like 'Hygge on a budget', 'Hygge vs Minimalism', 'Hygge for home and work' and so on. And two weeks ago I went to Germany, just to visit family over the weekend, you know the hygge way. At the airport I browsed some magazines and found that they even just published a magazine called 'Hygge' featuring all sort of lifestyle options and what we all should do to feel better.
BUILDING TALL HOME AND ABROAD Portsmouth Architecture School Society
At WilkinsonEyre, Heidi has developed and coordinated the tower and envelope detailing of the first phase of CIBC Square in Toronto. And also led the design team on 18 Blackfriars, London, which was granted planning permission in July this year. During this lecture Heidi will explore both projects in more detail.
Thursday - 19th October 2017 - 5.00pm
1.10 Lecture Theatre Eldon Building
These first two parts showed that the connectivity of spaces and their arrangement in plan is key to the user experience. When Wright got the opportunity to work on a museum for Guggenheim he proposed a fluid flow of exhibition spaces. These were arranged along one ascending spiral ramp around a central atrium. Visitors would take a lift to the top floor and experience the exhibits along a continuous journey without the need to retrace their steps to find the exit.
The son of a minister and teacher Wright was brought up with literature by Emerson and Goethe and music by Bach and Beethoven. As a result he placed man in the centre of his buildings with human values always being the first consideration in his design process and the industrial revolution gave him the tools to realize his imaginations. Besides his well-known domestic architecture Wright had a great impact on building typologies for other uses including offices, factories, worship and exhibitions.
The Larkin Building was one of the first open plan office buildings where the employee was no longer separated from the employer creating a unique sense of family within a cooperation. This was partly achieved by the simple architecture without the need for any decoration and the arrangement in plan. All back of house areas including stairs were allocated in the corners of the building and structural supports were associated with internal or external screens. Therefore the internal space was free for use.
One more part to follow, join me for the grand finale!
Since I visited some of his buildings in and around Chicago a couple of years ago I am especially touched by the Robie House in Chicago’s Oak Park. It’s horizontal emphasis, use of materials and custom design ‘from tip to toe’ make it something very special. The main space is one open plan living area which was revolutionary at the time and Wright applied his previously established principle of using screens. Rather than creating a space as a box with walls all partitions are architectural features like the large fire place in the centre of the space. This way Wright achieved the "destruction of the box" and noted "now architecture could be free".
It was an exciting 2nd day at the biennale. As you may know the main topic is how to cope with refugees as well as to make cities more flexible and therefore architecture and design. In my humble opinion there are only few really good starting points like giving people first of all a roof (Finland). It is basically the idea to provide a proper pitched roof structure for people rather than a tent and the other floors of the house are being built once the refugee feels to be at home. Others create opportunities by building a 'basic house structure' and the new owners fill it up, design and build the rest to their liking, .... One last interesting idea which stuck with me, maybe because I am an artist, is from Japan. Imagine a cube like house, each corner has private rooms for at least a student but can be for a whole family. In the centre of the building at ground floor level is a common ground, community area if you like, to meet, explore and adventure together.
Well, from regeneration of the traditional to new ideas only time will tell if any of these, or maybe all of them together, can make the difference.
Enjoy the snappies and have a great Sunday.
See you back from London, Tuesday will be all back to normal!
Welcome to Venice in Italy where every other year architects from all over the world gather to exhibit theme specific works. This year's exhibition is curated by Alejandro Aravena under the title reporting from the front looking at some of the key challenges our society is faced today and how these can, at least partially, be addressed by architecture - housing, migration, recycling ... but that's it for now. More to follow in the coming days.
After a wonderful long breakfast and writing this post we are on our way to the one and only train station in Venice. If wifi is a available I will be sharing live from Villa Capra "La Rotonda" in Vicenza. In any case have an amazing day and I will see you tomorrow, breakfast time, for my next post!
Our long bank holiday weekend is coming up and I will use the time not only to finish open orders and answer request but also to prepare my short trip to Venice, Italy.
The Biennale of Art and Architecture is taking place and I hope to visit Villa La Rotonda as well.
I can't wait to take it all in, feel the creativity, the energy and breath in the salty air while enjoying wonderful Italian ice cream.
I will be sharing some of the things I see and feel inspired by here and on Instagram!
Meanwhile in the Studio
The studio will be answered for mail and similar by my dear friend Andrea.
However emails and requests will be forwarded to me. Therefore please allow 48 hours for me to respond.
Movements within the 70ies took the above one step further and concentrated on eye catching building forms and façades to create an individual appearance to maximise the rate of return for the owner. One typical skyscraper of this era is the 197 meter high American Telephone and Telegraph Building by Philip Johnson and John Burgee in New York.
Although skyscrapers have been discussed theoretically for quite some time within Europe they have only been realized relatively rarely. Furthermore high rise buildings existed in a completely different format on this side of the Atlantic. The preservation of the historic town scape had been the key criteria ever since and therefore moderate high buildings had been built only on a singular basis to create reference points in the growing city. But new opportunities arose after the destructive Second World War and high rise had been considered to alleviate the deficit of residential and office spaces.
please find PART 1 is available here
The skyscraper is one of the icons to be found in each American city, they symbolise power and wealth and rule the skyline of the most famous cities in the USA. They have never lost their uniqueness and started to fascinate the whole world so that even historical cities like London could not escape their congeniality - but where did this building type come from and how did skyscrapers evolve. Even more importantly why are we so keen to go higher and is the skyscraper the building form of the future?